I ACCIDENTALLY WROTE A BOOK, WILD FOXES and WHERE THE WIND COMES FROM named Best Films at the 48th LUCAS Film Festival

The 48th edi­ti­on of the LUCAS Film Festival, orga­ni­zed by the DFF – Deutsches Filminstitut & Filmmuseum, ended on Thursday with a fes­ti­ve awards cerem­o­ny. I ACCIDENTALLY WROTE A BOOK, WILD FOXES and WHERE THE WIND COMES FROM recei­ved the awards for the best inter­na­tio­nal fea­ture-length films for young audi­en­ces in their respec­ti­ve sec­tions. HAPPYEND was hono­red with the award for an out­stan­ding cine­ma­tic achie­ve­ment. The pri­zes for the best short films went to HAPPY THINGS in Competition »Kids« and NARMOOK in Competition »Teens«. Festival direc­tor Julia Fleißig con­gra­tu­la­ted the award win­ners in the DFF Cinema.

Competition »Kids«

Award for the Best Short Film (2,000 €)

HAPPY THINGS (EE 2024. D: Alexandra Pärn)

HAPPY THINGS – Short Film Program 3 ©BFM | Source: DFF

Ten-year-old Lily is worried about her sad mother and thinks about how she can make her smi­le. Maybe with fish sticks? Or a snow­ball fight? Happiness is in the litt­le things. At least Lily is sure of that.

Statement of the Jury in Competition »Kids«
This sen­si­ti­ve film tells us how ten-year-old Lilly cares for her sick mother, pri­ma­ri­ly through impres­si­ve images and coher­ent pro­ces­ses. Although very litt­le is spo­ken, you feel for the main cha­rac­ter when she has to pro­ve hers­elf in the dif­fi­cult situa­tions of an arduous ever­y­day life. In a per­fect blend of sad­ness and hope, the film traces the com­plex rela­ti­onship bet­ween caring daugh­ter and sick mother, and finds the pos­si­bi­li­ty of hap­pi­ness in the moment even in the face of this dif­fi­cult subject.

Special Mention for the Best Feature Film

SPACE CADET (CA 2025. D: Eric San)

SPACE CADET ©Urban Sales | Source: DFF

Celeste Astridia is an astro­naut like her mother Stella. Her first mis­si­on is to explo­re unknown pla­nets. On one such jour­ney, Stella once dis­ap­peared; Celeste was rai­sed by a robo­tic Ame, who looks after her like a mother — occa­sio­nal­ly the two have litt­le com­pe­ti­ti­ons to see who can fold more beau­tiful ori­ga­mi figu­res. On her jour­ney, Celeste dis­co­vers new, stran­ge and dan­ge­rous crea­tures and finds hers­elf fol­lo­wing in her mother’s foot­s­teps, while at home her nur­se remi­nis­ces about Celeste’s child­hood and looks for a new occupation.

Statement of the Jury in Competition »Kids«
This lovin­g­ly ani­ma­ted film tells the sto­ry of the deep­ly human fri­end­ship bet­ween a girl and a robot wit­hout any dia­log. When the girl sets off on a jour­ney to the stars and has to lea­ve the robot behind, the film beco­mes a tou­ch­ing sto­ry about memo­ries and say­ing good­bye. We lik­ed the fact that you can empa­thi­ze with a robot and that the film offers a very good mix of exci­ting, sad and humo­rous sce­nes. For us, SPACE CADET unfolds a clear mes­sa­ge that goes far bey­ond the movie: that some­ti­mes you have to let go, and that beau­tiful memories
can still last forever.

Award for the Best Feature Film (5,000 €)

Sponsored by the Sparkassen-Kulturstiftung Hessen-Thüringen
I ACCIDENTALLY WROTE A BOOK (HU/NL 2024. D: Nóra Lakos)

I ACCIDENTALLY WROTE A BOOK ©Beta Film | Quelle: DFF

Twelve-year-old Nina wants to be a wri­ter — but her bedti­me sto­ries don’t go down too well with her brot­her Junior. She gets help from the old lady Lídia from the neigh­bor­hood. But can her wri­ting work­shops real­ly help Nina? When her father falls in love with the cle­ver Detti Nina’s search for a good sto­ry leads her to her own. For the first time, she deals with the loss of her mother, who died eight years ago. Along the way, she lear­ns how sto­ries are made — and what makes them dif­fe­rent from life. 

Statement of the Jury in Competition »Kids«
The film tells us about a sum­mer of gro­wing up in an uncon­ven­tio­nal way. The main cha­rac­ter Nina wants to tell sto­ries. She repea­ted­ly addres­ses us by spea­king direct­ly to the came­ra. She not only reve­als her fee­lings, but also plays with the rules of sto­rytel­ling: What does it take to be exci­ting or fun­ny? How does a good con­flict work? And what real­ly makes me tick deep down? Nina lear­ns about death and par­ting, new begin­nings and chan­ge and a ten­der first love. A warm-hear­ted, invi­ting sto­ry unfolds in cine­ma­tic images with gre­at atten­ti­on to detail, a sto­ry that only Nina can tell us becau­se it is her own.

Competition »Teens«

Award for the Best Short Film (2,000 €)

NARMOOK (IR 2024. D: Ghazal Zoghiniya)

NARMOOK – Short Film Program 4 Source: DFF

After having spent her child­hood tra­di­tio­nal­ly dis­gu­i­sed as a boy, Malalai Malalai is sup­po­sed to ful­fill fema­le role cli­chés again in puber­ty. Instead of loo­king for fan­cy fabrics and make-up, she longs for free­dom and self-determination.

Statement of the Jury in Competition »Teens«
Malala wants to find out for hers­elf who she is. She longs for the free­dom and auto­no­my that comes with being a boy in a socie­ty whe­re gen­der roles are strict­ly defi­ned and rights are limi­t­ed. The film chal­lenges norms and opens up important con­ver­sa­ti­ons about archaic tra­di­ti­ons that place more value on men’s lives than women’s. It brings cul­tu­ral insights into a world whe­re one dreams of being a boy and gre­at sacri­fices must be made to achie­ve this. The gre­at per­for­mance of the lea­ding actress as well as the con­trast bet­ween the ear­thy, gray out­side world and the jewel­ry, colorful fabrics and make-up con­tri­bu­te to the over­all cine­ma­tic expe­ri­ence and make NARMOOK a remar­kab­le short film that you will remem­ber for a long time.

Award for an Outstanding Cinematic Achievement (2,000 €)

HAPPYEND (JP/US/SG 2024. D: Neo Sora)

HAPPYEND ©UCM.ONE | Source: DFF

Tokyo in the near future: the coun­try­’s prime minis­ter is incre­asing­ly tur­ning Japan into a poli­ce sta­te and divi­ding the popu­la­ti­on. Mistrust and hat­red spread, while fri­ends Ko and Yuta play a harm­less prank on their prin­ci­pal. Immediately the­re are accu­sa­ti­ons of ter­ro­rism. In respon­se, the school installs a sur­veil­lan­ce sys­tem. Ko and Yuta have to make a decis­i­on: Resist or put their heads down?

Statement of the Jury in Competition »Teens«
We were impres­sed by the well-con­side­red visu­al com­po­si­ti­on and the calm style that evo­kes strong emo­ti­ons and crea­tes a lin­ge­ring atmo­sphe­re. The sty­li­stic pre­cis­i­on, color palet­te and sound­track come tog­e­ther to crea­te an out­stan­ding cine­ma­tic expe­ri­ence. Every shot is careful­ly con­side­red and con­tri­bu­tes to both the sto­rytel­ling and the unsett­ling fee­ling of being trap­ped in a near dys­to­pian future whe­re every indi­vi­du­al has a num­ber and is under con­stant surveillance.
num­ber and is redu­ced under con­stant sur­veil­lan­ce. In addi­ti­on, the young actors and their dyna­mics bring authen­ti­ci­ty to the narrative. 

Award for the Best Feature Film (5,000 €)

WILD FOXES (BE/FR 2025. D: Valéry Carnoy)
- German Premiere at LUCAS -

WILD FOXES ©The Party Film Sales | Source: DFF

Camille is a talen­ted young boxer at a sports boar­ding school: someone who could one day beco­me a cham­pi­on. But the pres­su­re is high. To switch off, he roams the woods with his best fri­end Matteo, whe­re they watch foxes — until an acci­dent chan­ges ever­y­thing. Matteo saves him and Camille gets off light­ly, but some­thing insi­de him starts to waver. He is scared and loses inte­rest in trai­ning. The fact that the coa­ches con­ti­nue to rely on him is not well recei­ved by his class­ma­tes. His fri­end­ship with Matteo also beg­ins to crumble.

Statement of the Jury in Competition »Teens«
We were instant­ly fasci­na­ted by the fil­m’s cri­ti­cal exami­na­ti­on of mas­cu­li­ni­ty and the strugg­le to pro­ve ones­elf in a male-domi­na­ted sport. The direc­tor skillful­ly crea­tes a ten­si­on bet­ween phy­si­cal strength, vio­lence and vul­nerabi­li­ty, crea­ting a world of grip­ping ten­si­on balan­ced by fri­end­ship, love and sen­si­ti­vi­ty. The film also con­veys a sen­se of com­fort in the face of pain and aggres­si­on and focu­ses on fri­end­ship and the heal­ing pro­cess after trau­ma. In addi­ti­on to the gre­at visu­als, we would also like to high­light the impres­si­ve per­for­man­ces of the young actors who have crea­ted a cap­ti­vat­ing dynamic.

Competition »Youngsters«

LUCAS »Youngsters« Award (5.000 €)

WHERE THE WIND COMES FROM (TN/FR/QA 2025. R+DB: Amel Guellaty)

WHERE THE WIND COMES FROM ©Films Boutique | Source: DFF

The fearless Alyssa and the sen­si­ti­ve artist Mehdi feel trap­ped in ever­y­day life in the sub­urbs of Tunis. Like many young peo­p­le, they are loo­king for work and at the same time have fami­ly respon­si­bi­li­ties. When Alyssa hears about an art com­pe­ti­ti­on at the other end of Tunisia that offers the chan­ce of a resi­den­cy in Germany, she per­sua­des Mehdi to go on a wild ride across her home coun­try. Without roman­tic ent­an­gle­ments, but with gen­der roles blown up, Amel Guellaty’s film is a cou­ra­ge­ous odys­sey full of lon­gings, dreams and the search for a bet­ter life.

Statement of the Jury in Competition »Youngsters«
Dissatisfied with her cur­rent life, Alyssa wants to emi­gra­te to a wes­tern coun­try in the hope of a bet­ter future. She has an idea and asks her fri­end Mehdi to accom­pa­ny her on a trip through Tunisia in a sto­len car. At first glan­ce, it may seem like a clas­sic coming-of-age road trip sto­ry, but Amel Guellaty takes a dif­fe­rent approach and paints a per­so­nal and very poe­tic pic­tu­re of Tunisian cul­tu­re and iden­ti­ty. The jour­ney beco­mes an honest nar­ra­ti­ve about young peo­p­le’s lives after the Arab Spring in a coun­try that seems to offer oppor­tu­ni­ties, but does it real­ly? We love this film for its inno­va­ti­ve nar­ra­ti­ve approach and the way it makes full use of the medi­um of film.

All Sections

ECFA Award

I ACCIDENTALLY WROTE A BOOK (HU/NL 2024. D: Nóra Lakos)

Bridging the Borders Award – Special Mention

OLIVIA AND THE INVISIBLE EARTHQUAKE (ES/FR/BE/CH/CL 2025. D: Irene Iborra Rizo)
- German Premiere at LUCAS -

Bridging the Borders Award

GIRLS DON’T CRY (DE 2025. D: Sigrid Klausmann, Lina Luzyte)

Audience Award

THE SONGBIRDS’ SECRET (FR 2025. D: Antoine Lanciaux)