{"id":26309,"date":"2025-10-01T23:00:29","date_gmt":"2025-10-01T23:00:29","guid":{"rendered":"https:\/\/lucas-filmfestival.de\/i-accidentally-wrote-a-book-wild-foxes-und-where-the-wind-comes-from-named-best-films-at-the-48th-lucas-film-festival\/"},"modified":"2025-10-02T18:34:37","modified_gmt":"2025-10-02T18:34:37","slug":"award-winners-lucas-48","status":"publish","type":"post","link":"https:\/\/lucas-filmfestival.de\/en\/award-winners-lucas-48\/","title":{"rendered":"I ACCIDENTALLY WROTE A BOOK, WILD FOXES and WHERE THE WIND COMES FROM named Best Films at the 48th LUCAS Film Festival"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">The 48th edi\u00adti\u00adon of the LUCAS Film Festival, orga\u00adni\u00adzed by the DFF \u2013 Deutsches Filminstitut &amp; Filmmuseum, ended on Thursday with a fes\u00adti\u00adve awards cerem\u00ado\u00adny. I ACCIDENTALLY WROTE A BOOK, WILD FOXES and WHERE THE WIND COMES FROM recei\u00adved the awards for the best inter\u00adna\u00adtio\u00adnal fea\u00adture-length films for young audi\u00aden\u00adces in their respec\u00adti\u00adve sec\u00adtions. HAPPYEND was hono\u00adred with the award for an out\u00adstan\u00adding cine\u00adma\u00adtic achie\u00adve\u00adment. The pri\u00adzes for the best short films went to HAPPY THINGS in Competition \u00bbKids\u00ab and NARMOOK in Competition \u00bbTeens\u00ab. Festival direc\u00adtor Julia Flei\u00dfig con\u00adgra\u00adtu\u00adla\u00adted the award win\u00adners in the DFF Cinema.<\/p>\n<p>[\/vc_column_text][vc_separator color=\u201cblack\u201d][vc_column_text]<\/p>\n<h3 class=\"text-build-content\" data-testid=\"bG8H3Ogdc\">Competition \u00bbKids\u00ab<\/h3>\n<h4 class=\"text-build-content\" data-testid=\"bG8H3Ogdc\"><strong>Award for the Best Short Film (2,000 \u20ac)<\/strong><\/h4>\n<p class=\"text-build-content\" data-testid=\"bG8H3Ogdc\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/happy-things\/\" target=\"_blank\" rel=\"noopener\">HAPPY THINGS<\/a> (EE 2024. D: Alexandra P\u00e4rn)<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c23023\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\">Ten-year-old Lily is worried about her sad mother and thinks about how she can make her smi\u00adle. Maybe with fish sticks? Or a snow\u00adball fight? Happiness is in the litt\u00adle things. At least Lily is sure of&nbsp;that.<\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbKids\u00ab<\/strong><br>\nThis sen\u00adsi\u00adti\u00adve film tells us how ten-year-old Lilly cares for her sick mother, pri\u00adma\u00adri\u00adly through impres\u00adsi\u00adve images and coher\u00adent pro\u00adces\u00adses. Although very litt\u00adle is spo\u00adken, you feel for the main cha\u00adrac\u00adter when she has to pro\u00adve hers\u00adelf in the dif\u00adfi\u00adcult situa\u00adtions of an arduous ever\u00ady\u00adday life. In a per\u00adfect blend of sad\u00adness and hope, the film traces the com\u00adplex rela\u00adti\u00adonship bet\u00adween caring daugh\u00adter and sick mother, and finds the pos\u00adsi\u00adbi\u00adli\u00adty of hap\u00adpi\u00adness in the moment even in the face of this dif\u00adfi\u00adcult subject.<\/p>\n<p>[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n<h4 class=\"text-build-content\" data-testid=\"_IFwJS5hw\"><strong>Special Mention for the Best Feature Film<\/strong><\/h4>\n<p class=\"text-build-content\" data-testid=\"_IFwJS5hw\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/space-cadet\/\" target=\"_blank\" rel=\"noopener\">SPACE CADET<\/a> (CA 2025. D: Eric&nbsp;San)<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c22682\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\"><span class=\"NormalTextRun SCXW203130429 BCX4\">Celeste <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW203130429 BCX4\">Astridia<\/span><span class=\"NormalTextRun SCXW203130429 BCX4\"> is an astro\u00adnaut like her mother Stella. Her first mis\u00adsi\u00adon is to explo\u00adre unknown pla\u00adnets. On one such jour\u00adney, Stella once dis\u00adap\u00adpeared; Celeste was rai\u00adsed by a robo\u00adtic Ame, who looks after her like a mother \u2014 occa\u00adsio\u00adnal\u00adly the two have litt\u00adle com\u00adpe\u00adti\u00adti\u00adons to see who can fold more beau\u00adtiful ori\u00adga\u00admi figu\u00adres. On her jour\u00adney, Celeste dis\u00adco\u00advers new, stran\u00adge and dan\u00adge\u00adrous crea\u00adtures and finds hers\u00adelf fol\u00adlo\u00adwing in her mother\u2019s foot\u00ads\u00adteps, while at home her nur\u00adse remi\u00adnis\u00adces about Celeste\u2019s child\u00adhood and looks for a new occupation.<\/span><\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbKids\u00ab<\/strong><br>\nThis lovin\u00adg\u00adly ani\u00adma\u00adted film tells the sto\u00adry of the deep\u00adly human fri\u00adend\u00adship bet\u00adween a girl and a robot wit\u00adhout any dia\u00adlog. When the girl sets off on a jour\u00adney to the stars and has to lea\u00adve the robot behind, the film beco\u00admes a tou\u00adch\u00ading sto\u00adry about memo\u00adries and say\u00ading good\u00adbye. We lik\u00aded the fact that you can empa\u00adthi\u00adze with a robot and that the film offers a very good mix of exci\u00adting, sad and humo\u00adrous sce\u00adnes. For us, SPACE CADET unfolds a clear mes\u00adsa\u00adge that goes far bey\u00adond the movie: that some\u00adti\u00admes you have to let go, and that beau\u00adtiful memories<br>\ncan still last forever.<\/p>\n<p>[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n<h4 class=\"text-build-content\" data-testid=\"_IFwJS5hw\"><strong>Award for the Best Feature Film (5,000 \u20ac) <\/strong><\/h4>\n<p class=\"text-build-content\" data-testid=\"_IFwJS5hw\"><strong>Sponsored by the Sparkassen-Kulturstiftung Hessen-Th\u00fcringen<\/strong><br>\n<a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/happy-things\/\" target=\"_blank\" rel=\"noopener\">I ACCIDENTALLY WROTE A BOOK<\/a> (HU\/NL 2024. D: N\u00f3ra&nbsp;Lakos)<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c23657\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\"><span class=\"NormalTextRun SCXW54386297 BCX8\">Twelve-year-old Nina wants to be a wri\u00adter \u2014 but her bedti\u00adme sto\u00adries don\u2019t go down too well with her brot\u00adher Junior. She gets help from the old lady <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW54386297 BCX8\">L\u00eddia<\/span><span class=\"NormalTextRun SCXW54386297 BCX8\"> from the neigh\u00adbor\u00adhood. But can her wri\u00adting work\u00adshops real\u00adly help Nina? When her father falls in love with the cle\u00adver <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW54386297 BCX8\">Detti<\/span><span class=\"NormalTextRun SCXW54386297 BCX8\"> Nina\u2019s search for a good sto\u00adry leads her to her own. For the first time, she deals with the loss of her mother, who died eight years ago. Along the way, she lear\u00adns how sto\u00adries are made \u2014 and what makes them dif\u00adfe\u00adrent from&nbsp;life.&nbsp;<\/span><\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbKids\u00ab<\/strong><br>\nThe film tells us about a sum\u00admer of gro\u00adwing up in an uncon\u00adven\u00adtio\u00adnal way. The main cha\u00adrac\u00adter Nina wants to tell sto\u00adries. She repea\u00adted\u00adly addres\u00adses us by spea\u00adking direct\u00adly to the came\u00adra. She not only reve\u00adals her fee\u00adlings, but also plays with the rules of sto\u00adrytel\u00adling: What does it take to be exci\u00adting or fun\u00adny? How does a good con\u00adflict work? And what real\u00adly makes me tick deep down? Nina lear\u00adns about death and par\u00adting, new begin\u00adnings and chan\u00adge and a ten\u00adder first love. A warm-hear\u00adted, invi\u00adting sto\u00adry unfolds in cine\u00adma\u00adtic images with gre\u00adat atten\u00adti\u00adon to detail, a sto\u00adry that only Nina can tell us becau\u00adse it is her&nbsp;own.<\/p>\n<p>[\/vc_column_text][vc_separator color=\u201cblack\u201d][vc_column_text]<\/p>\n<h3 class=\"text-build-content\" data-testid=\"_1OeeQO5e\">Competition \u00bbTeens\u00ab<\/h3>\n<h4 class=\"text-build-content\" style=\"text-align: justify;\" data-testid=\"SjE-nBJKY\"><strong>Award for the Best Short Film (2,000 \u20ac)<\/strong><\/h4>\n<p class=\"text-build-content\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/narmook\/\" target=\"_blank\" rel=\"noopener\">NARMOOK<\/a> (IR 2024. D: Ghazal Zoghiniya)<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c26303\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\"><span class=\"NormalTextRun SCXW177165366 BCX4\">After having spent her child\u00adhood <\/span><span class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW177165366 BCX4\">tra\u00addi\u00adtio\u00adnal\u00adly<\/span><span class=\"NormalTextRun SCXW177165366 BCX4\"> dis\u00adgu\u00adi\u00adsed as a boy, Malalai <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW177165366 BCX4\">Malalai<\/span><span class=\"NormalTextRun SCXW177165366 BCX4\"> is sup\u00adpo\u00adsed to ful\u00adfill fema\u00adle role cli\u00adch\u00e9s again in puber\u00adty. Instead of loo\u00adking for fan\u00adcy <\/span><span class=\"NormalTextRun SCXW177165366 BCX4\">fabrics<\/span><span class=\"NormalTextRun SCXW177165366 BCX4\"> and make-up, she longs for free\u00addom and self-determination.<\/span><\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbTeens\u00ab<\/strong><br>\n<span class=\"TextRun SCXW257021444 BCX8\" lang=\"DE-DE\" xml:lang=\"DE-DE\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW257021444 BCX8\">Malala wants to find out for hers\u00adelf who she is. She longs for the free\u00addom and auto\u00adno\u00admy that comes with being a boy in a socie\u00adty whe\u00adre gen\u00adder roles are strict\u00adly defi\u00adned and rights are limi\u00adt\u00aded. The film chal\u00adlenges norms and opens up important con\u00adver\u00adsa\u00adti\u00adons about archaic tra\u00addi\u00adti\u00adons that place more value on men\u2019s lives than women\u2019s. It brings cul\u00adtu\u00adral insights into a world whe\u00adre one dreams of being a boy and gre\u00adat sacri\u00adfices must be made to achie\u00adve this. The <\/span> <span class=\"NormalTextRun SCXW257021444 BCX8\"> gre\u00adat per\u00adfor\u00admance of the lea\u00adding actress as well as the con\u00adtrast bet\u00adween the ear\u00adthy, <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW257021444 BCX8\">gray<\/span> <span class=\"NormalTextRun SpellingErrorV2Themed SCXW257021444 BCX8\">out\u00adside world<\/span><span class=\"NormalTextRun SCXW257021444 BCX8\"> and the jewel\u00adry, colorful fabrics and make-up con\u00adtri\u00adbu\u00adte to the over\u00adall cine\u00adma\u00adtic expe\u00adri\u00adence and make NARMOOK a remar\u00adkab\u00adle short film that you will remem\u00adber for a long&nbsp;time.<\/span><\/span><\/p>\n<p>[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n<h4 class=\"text-build-content\"><strong>Award for an Outstanding Cinematic Achievement (2,000 \u20ac)<\/strong><\/h4>\n<p class=\"text-build-content\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/happyend\/\" target=\"_blank\" rel=\"noopener\">HAPPYEND<\/a> (JP\/US\/SG 2024. D: Neo&nbsp;Sora)<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c22925\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\"><span class=\"NormalTextRun SCXW31726821 BCX0\">Tokyo in the near future: the coun\u00adtry\u00ad\u2019s prime minis\u00adter is incre\u00adasing\u00adly tur\u00adning Japan into a poli\u00adce sta\u00adte and divi\u00adding the popu\u00adla\u00adti\u00adon. Mistrust and hat\u00adred spread, while fri\u00adends Ko and <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW31726821 BCX0\">Yuta<\/span><span class=\"NormalTextRun SCXW31726821 BCX0\"> play a harm\u00adless prank on their prin\u00adci\u00adpal. Immediately the\u00adre are accu\u00adsa\u00adti\u00adons of ter\u00adro\u00adrism. In respon\u00adse, the school installs a sur\u00adveil\u00adlan\u00adce sys\u00adtem. Ko and <\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW31726821 BCX0\">Yuta<\/span><span class=\"NormalTextRun SCXW31726821 BCX0\"> have to make a decis\u00adi\u00adon: Resist or put their heads&nbsp;down?<\/span><\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbTeens\u00ab<br>\n<\/strong><span class=\"TextRun SCXW38139928 BCX8\" lang=\"DE\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW38139928 BCX8\">We were impres\u00adsed by the well-con\u00adside\u00adred visu\u00adal com\u00adpo\u00adsi\u00adti\u00adon and the calm style that evo\u00adkes strong emo\u00adti\u00adons and crea\u00adtes a lin\u00adge\u00adring atmo\u00adsphe\u00adre. The sty\u00adli\u00adstic pre\u00adcis\u00adi\u00adon, color palet\u00adte and sound\u00adtrack come tog\u00ade\u00adther to crea\u00adte an out\u00adstan\u00adding cine\u00adma\u00adtic expe\u00adri\u00adence. Every shot is careful\u00adly con\u00adside\u00adred and con\u00adtri\u00adbu\u00adtes to both the sto\u00adrytel\u00adling and the unsett\u00adling fee\u00adling of being trap\u00adped in a near dys\u00adto\u00adpian future whe\u00adre every indi\u00advi\u00addu\u00adal has a num\u00adber and is under con\u00adstant surveillance.<\/span><br>\n<span class=\"NormalTextRun SCXW38139928 BCX8\">num\u00adber and is redu\u00adced under con\u00adstant sur\u00adveil\u00adlan\u00adce. In addi\u00adti\u00adon, the young actors and their dyna\u00admics bring authen\u00adti\u00adci\u00adty to the narrative.&nbsp;<\/span><br>\n<\/span><\/p>\n<p>[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n<h4 class=\"text-build-content\" data-testid=\"EmblH7Tr0\"><strong>Award for the Best Feature Film (5,000 \u20ac)<\/strong><\/h4>\n<p class=\"text-build-content\" data-testid=\"EmblH7Tr0\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/wild-foxes\/\" target=\"_blank\" rel=\"noopener\">WILD FOXES<\/a> (BE\/FR 2025. D: Val\u00e9ry Carnoy)<br>\n<em>- German Premiere at&nbsp;LUCAS&nbsp;-<\/em><\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c22772\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\">Camille is a talen\u00adted young boxer at a sports boar\u00adding school: someone who could one day beco\u00adme a cham\u00adpi\u00adon. But the pres\u00adsu\u00adre is high. To switch off, he roams the woods with his best fri\u00adend Matteo, whe\u00adre they watch foxes \u2014 until an acci\u00addent chan\u00adges ever\u00ady\u00adthing. Matteo saves him and Camille gets off light\u00adly, but some\u00adthing insi\u00adde him starts to waver. He is scared and loses inte\u00adrest in trai\u00adning. The fact that the coa\u00adches con\u00adti\u00adnue to rely on him is not well recei\u00adved by his class\u00adma\u00adtes. His fri\u00adend\u00adship with Matteo also beg\u00adins to crumble.<\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbTeens\u00ab<br>\n<\/strong><span data-contrast=\"auto\">We were instant\u00adly fasci\u00adna\u00adted by the fil\u00adm\u2019s cri\u00adti\u00adcal exami\u00adna\u00adti\u00adon of mas\u00adcu\u00adli\u00adni\u00adty and the strugg\u00adle to pro\u00adve ones\u00adelf in a male-domi\u00adna\u00adted sport. The direc\u00adtor skillful\u00adly crea\u00adtes a ten\u00adsi\u00adon bet\u00adween phy\u00adsi\u00adcal strength, vio\u00adlence and vul\u00adnerabi\u00adli\u00adty, crea\u00adting a world of grip\u00adping ten\u00adsi\u00adon balan\u00adced by fri\u00adend\u00adship, love and sen\u00adsi\u00adti\u00advi\u00adty. The film also con\u00adveys a sen\u00adse of com\u00adfort in the face of pain and aggres\u00adsi\u00adon and focu\u00adses on fri\u00adend\u00adship and the heal\u00ading pro\u00adcess after trau\u00adma.<\/span> <span data-contrast=\"auto\">In addi\u00adti\u00adon to the gre\u00adat visu\u00adals, we would also like to high\u00adlight the impres\u00adsi\u00adve per\u00adfor\u00adman\u00adces of the young actors who have crea\u00adted a cap\u00adti\u00advat\u00ading dynamic.<\/span><\/p>\n<p>[\/vc_column_text][vc_separator color=\u201cblack\u201d][vc_column_text]<\/p>\n<h3 class=\"text-build-content\" data-testid=\"s22aF6pB1\">Competition \u00bbYoungsters\u00ab<\/h3>\n<h4 class=\"text-build-content\" data-testid=\"s22aF6pB1\"><strong>LUCAS \u00bbYoungsters\u00ab Award (5.000 \u20ac)<\/strong><\/h4>\n<p class=\"text-build-content\" data-testid=\"s22aF6pB1\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/where-the-wind-comes-from\/\" target=\"_blank\" rel=\"noopener\">WHERE THE WIND COMES FROM<\/a> (TN\/FR\/QA 2025. R+DB: Amel Guellaty)<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u201c22814\u201d img_size=\u201c1920x1080\u201d][vc_column_text]<\/p>\n<p class=\"text-build-content\">The fearless Alyssa and the sen\u00adsi\u00adti\u00adve artist Mehdi feel trap\u00adped in ever\u00ady\u00adday life in the sub\u00adurbs of Tunis. Like many young peo\u00adp\u00adle, they are loo\u00adking for work and at the same time have fami\u00adly respon\u00adsi\u00adbi\u00adli\u00adties. When Alyssa hears about an art com\u00adpe\u00adti\u00adti\u00adon at the other end of Tunisia that offers the chan\u00adce of a resi\u00adden\u00adcy in Germany, she per\u00adsua\u00addes Mehdi to go on a wild ride across her home coun\u00adtry. Without roman\u00adtic ent\u00adan\u00adgle\u00adments, but with gen\u00adder roles blown up, Amel Guellaty\u2019s film is a cou\u00adra\u00adge\u00adous odys\u00adsey full of lon\u00adgings, dreams and the search for a bet\u00adter&nbsp;life.<\/p>\n<p class=\"text-build-content\"><strong>Statement of the Jury in Competition \u00bbYoungsters\u00ab<br>\n<\/strong>Dissatisfied with her cur\u00adrent life, Alyssa wants to emi\u00adgra\u00adte to a wes\u00adtern coun\u00adtry in the hope of a bet\u00adter future. She has an idea and asks her fri\u00adend Mehdi to accom\u00adpa\u00adny her on a trip through Tunisia in a sto\u00adlen car. At first glan\u00adce, it may seem like a clas\u00adsic coming-of-age road trip sto\u00adry, but Amel Guellaty takes a dif\u00adfe\u00adrent approach and paints a per\u00adso\u00adnal and very poe\u00adtic pic\u00adtu\u00adre of Tunisian cul\u00adtu\u00adre and iden\u00adti\u00adty. The jour\u00adney beco\u00admes an honest nar\u00adra\u00adti\u00adve about young peo\u00adp\u00adle\u2019s lives after the Arab Spring in a coun\u00adtry that seems to offer oppor\u00adtu\u00adni\u00adties, but does it real\u00adly? We love this film for its inno\u00adva\u00adti\u00adve nar\u00adra\u00adti\u00adve approach and the way it makes full use of the medi\u00adum of&nbsp;film.<\/p>\n<p>[\/vc_column_text][vc_separator color=\u201cblack\u201d][vc_column_text]<\/p>\n<h3 class=\"text-build-content\" data-testid=\"RBRmOsQtY\"><strong>All Sections<\/strong><\/h3>\n<h4 class=\"text-build-content\" data-testid=\"RBRmOsQtY\"><strong>ECFA Award<\/strong><\/h4>\n<p class=\"text-build-content\" data-testid=\"RBRmOsQtY\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/i-accidentally-wrote-a-book\/\" target=\"_blank\" rel=\"noopener\">I ACCIDENTALLY WROTE A BOOK<\/a> (HU\/NL 2024. D: N\u00f3ra&nbsp;Lakos)<\/p>\n<h4 class=\"text-build-content\"><strong>Bridging the Borders Award \u2013 Special Mention<\/strong><\/h4>\n<p class=\"text-build-content\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/olivia-and-the-invisible-earthquake\/\" target=\"_blank\" rel=\"noopener\">OLIVIA AND THE INVISIBLE EARTHQUAKE<\/a> (ES\/FR\/BE\/CH\/CL 2025. D: Irene Iborra Rizo)<br>\n<em>- German Premiere at&nbsp;LUCAS&nbsp;-<\/em><\/p>\n<h4 class=\"text-build-content\"><strong>Bridging the Borders Award<\/strong><\/h4>\n<p class=\"text-build-content\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/girls-dont-cry\/\" target=\"_blank\" rel=\"noopener\">GIRLS DON\u2019T CRY<\/a> (DE 2025. D: Sigrid Klausmann, Lina Luzyte)<\/p>\n<h4 class=\"text-build-content\"><strong>Audience Award<\/strong><\/h4>\n<p class=\"text-build-content\"><a href=\"https:\/\/lucas-filmfestival.de\/en\/film-2025\/the-songbirds-secret\/\" target=\"_blank\" rel=\"noopener\">THE SONGBIRDS\u2019 SECRET <\/a>(FR 2025. D: Antoine Lanciaux)<\/p>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The 48th LUCAS Film Festival ended with an Award Ceremony on Thursday, October 2.<\/p>\n","protected":false},"author":19,"featured_media":22814,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"no","wp_typography_post_enhancements_disabled":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[149],"tags":[],"class_list":["post-26309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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