LUCAS – International Festival for Young Film Lovers
#48 from September 25 until Oktober 2, 2025
Lights, camera, and action at LUCAS #48: from September 25 to October 2, 2025, Germany’s oldest film festival for young audiences will present award-winning cinematic art for everyone from ages three to 18+. Families and film enthusiasts of all ages can look forward to exceptional cinematic experiences in Frankfurt and Offenbach.
The defining feature of LUCAS are the competitions in the »Kids«, »Teens«, and »Youngsters« sections. In addition to the competition program, the festival shows classics from film history, short films for the very youngest, and other programs, some of which are designed by children and young people. During the festival week, there is a special focus on film discussions, in which filmmakers from all over the world engage in dialogue with the audience.
At LUCAS, participation means »Mitmischen!«. Young people are invited to help shape the festival in a variety of ways, such as fulfilling the role of a jury member, film critic, festival reporter, or curator.
Representatives of the film industry will have the opportunity to attend conferences and panel discussions that address topics related to film education and current trends in children’s and youth film production.
LUCAS – International Festival for Young Film Lovers is organized by the DFF – Deutsches Filminstitut & Filmmuseum e.V.
Competitions and Awards
Competitions
In the »Kids«, »Teens«, and »Youngsters« competitions, LUCAS presents outstanding international selections of feature films, documentaries, animated films, and experimental films. In 2025, 21 feature films and 18 short films will compete for the coveted LUCAS awards.
Feature films must have a running time of more than 59 minutes and must not have been released in German cinemas. A selection committee attends festivals and industry gatherings to choose competition entries for the »Kids«, »Teens«, and »Youngsters« sections from among the strongest productions worldwide. Premiere status is not a factor, only quality matters!
In recent years, LUCAS has earned a special reputation with its short film competition. A selection committee puts together several competition programs for the »Kids« and »Teens« sections from the best international submissions with a running time of up to 30 minutes. Many of these programs are German premieres.
Awards
Competition »Kids«
- Best Feature Film (5.000 €) donated by the Sparkassen-Kulturstiftung Hessen-Thüringen
- Best Short Film (2.000 €)
Competition »Teens«
- Best Feature Film (5,000 €)
- Best Short Film (2,000 €)
- Award for an Outstanding Cinematic Achievement (2,000 €)
Competition »Youngsters«
- LUCAS »Youngsters« Award (5.000 €)
All competition sections
- ECFA-Award
- Bridging the Borders Award
- Audience Award
Selection Committee 2025
In order to improve LUCAS’s networking and enhance lively discussion about the program, the festival has appointed a selection committee for feature films and another for short films, which will view the films and select entries for the »Kids«, »Teens«, and »Youngsters« competitions. In addition to Julia Fleißig, the festival director of LUCAS, the committees are made up of five other renowned film experts.
Kirsten Taylor
Editor, film educator, and author
Kirsten Taylor is an editor at the film education portal kinofenster.de and a freelance film educator, working for projects such as “Filmklassiker sehen – Filme verstehen,” which was initiated by the German Film Academy. Additionally, she is working for SchulKinoWochen. She also writes film reviews and prepares film reports. One focus of her work is children’s and youth films.
Stefan Stiletto
Film educator and film journalist
Stefan Stiletto is a freelance film educator, film journalist, and editor. He designs and creates accompanying materials for film education and is a writer for Filmdienst, Kinderfilmwelt, Kinder- und Jugend-Filmportal, Kinofenster.de, and other publications. He also leads training courses for educators and workshops for children and young adults on various film education topics.
Rochus Wolff
Film critic, author, and lecturer
Rochus Wolff is a freelance film critic and author who publishes in Kino-Zeit, Filmdienst, Kinderfilmwelt, and on the children’s and youth film portal, among others. Wolff has published two books on children’s films: 33 Beste Kinderfilme (33 Best Children’s Films) and 100 Kinderfilme für alle Tage (100 Children’s Films for Every Day). He also gives workshops on children’s films and film criticism.
Holger Twele
Journalist and film educator
Holger Twele is a freelance film journalist and film educator and has been working for many years with organizations such as the Federal Association for Youth and Film, the German Children’s and Youth Film Center, and the Federal Agency for Civic Education.
Dr. Ursula Vossen
Producer and author / HessenInvestFilm
Dr. Ursula Vossen is an experienced television and film producer and film funder. She is the author of numerous books and articles on film studies.
Jury 2025
The juries for the »Kids« and »Teens« competitions consist of equal numbers of young film fans and industry professionals. They decide on the winners of five LUCAS awards in the »Kids« and »Teens« competitions. A jury of young European film enthusiasts will honor the LUCAS »Youngsters« Award to a film in the »Youngsters« section.
A jury from the ECFA presents the ECFA Award to its favorite European children’s film. Since 2018, Cinema Without Borders has awarded a prize to a competition film, with the audience award decided by festival visitors.
Jury Competition »Kids«
Daniel Fornoff (12)
IGS Nordend, Frankfurt
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Daniel has already acquired experience as a Jury member of the German Film Festival “Goldener Spatz.” What makes a truly brilliant film? A film that is so captivating that he will quickly forget about the ice cream commercial. Daniel is not particularly fond of mathematics; however, he is an exceptional drummer, and he even has exchanged emails with the author of Sams, Paul Maar. He loves short and sweet comedies—SPATZENHIRN is his top pick. In fact, he experimented with making his own short films. Favorite film characters? Garfield, Bud Spencer, and the chaotic duo Lilo & Stitch!
Merle Sturm (11)
Adorno-Gymnasium, Frankfurt
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Merle has been playing rugby since the age of three – probably Frankfurt’s youngest tackler! She is equally fond of the thrill on the pitch as well as on the big screen. Crime films like ENOLA HOLMES or THE THREE INVESTIGATORS are among her favorites. She would rather have a surprise ending than a happy one. Merle is eagerly awaiting the forthcoming premiere of the new HARRY POTTER series. By the way, she is the best at hiding¾even without her invisibility cloak. There is usually only one thing that helps to get her out of her hiding spot: Green Sauce!
Olivia Schiffer (12)
KGS Niederrad, Frankfurt
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Olivia is unstoppable: she does gymnastics, plays field hockey, rides horses, and assists with the youth fire department. DER SCHUH DES MANITU makes her laugh. Her favorite actors are Katharina Thalbach, Susu Padotzke and Christian Tramlitz. She would love to see them star in a romantic movie, so who of you out there is writing the script? When she is not climbing mountains, she dreams of living in the country and Canadian movie adventures at LUCAS.
Anna Hofmann (Austria)
Co-Director of the Vienna International Children’s Film Festival
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Anna Hofmann, who has been involved with the Vienna International Children’s Film Festival for over 20 years, has been one of its directors since 2024. She is dedicated to not only presenting exceptional films for children and adolescents but also to promoting the medium of film in general. She accomplishes this by co-organizing “Kinderkinowelten,” a film education initiative that screens and follows up on special children’s films in Austrian schools.
Heiko Martens (Germany)
Author and dramaturge
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Heiko Martens is a graduated freelance screenwriter and dramaturge. He writes films, series, and radio dramas for adults, young people, and children of all ages. As a dramaturge and lecturer, he has worked at the Film University Potsdam and the Master School Drehbuch Berlin. Besides, he has worked for eight years for the Academy for Children’s Media. At the Academy, he was a co-mentor for interactive and cross-media projects, as well as for children’s books. Additionally, he was also a mentor for the feature film group.
Justine Bauer (Germany)
Director and screenwriter
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Justine Bauer grew up on an ostrich farm in Germany. She studied fine arts at the HGB Leipzig and feature film directing and screenwriting at the KHM Cologne. She was nominated for the Wortmeldungen-Förderpreis and participated in the Jürgen Ponto Writing Workshop. She has known LUCAS since last year, when her graduation film MILCH INS FEUER was screened at the »Teens« competition. The film has won several national and international awards. Justine’s dog is called Bruno.
Jury Competition »Teens«
Nike Hennig (17)
Helmholtzschule, Frankfurt
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Nike loves to express herself – whether on stage with her guitar or behind a podcast microphone. This summer, she went to Ireland to polish her English – with a little Irish thrown in for measure, thanks to the movie KNEECAP! Her heart beats for musicals and ALMOST FAMOUS. Later, she wants to become a journalist. What makes a good movie? It must entail attitude, great acting, and atmosphere. She is new to the jury but a long-time regular at the LUCAS film club. Ask her for musical fun facts – Nike delivers!
Manuela Polifke (14)
Adorno-Gymnasium, Frankfurt
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Manuela plays soccer and dances hip-hop. She listens to music, preferably K‑pop and J‑pop, in every spare minute. She only takes off her headphones briefly at the cinema. Even there, the soundtrack is important to her! She also prefers plots that are easy to follow. Manuela loves funny heist movies like OCEAN’S 13 and can almost recite THE LIFE OF BRIAN by heart. She wishes for a second season of PHANTOM SCHOOL and more movies about her musical idols from Japan and South Korea!
Liam Belgorodski (17)
Lessing-Gymnasium, Frankfurt
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Liam has a knack for mental arithmetic and enjoys playing chess, Scrabble, and squash. AMÉLIE is one of his favorite films; much of it seemed familiar to him. As someone with Asperger’s syndrome, he could relate to some of the behaviors depicted in the film. Liam likes unique, original films and avoids remakes and film series that follow the same patterns. No wonder, then, that he is an avowed Wes Anderson fan. At LUCAS, he wants to take his first steps toward his dream job in the film industry.
Andrea Reisz (Rumania)
Film educator and cultural manager
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Andrea Reisz is an expert in culture, cinema, and film education. She has spent years developing learning programs and organizing cultural projects in schools and museums. She collaborates with European initiatives, such as CinEd, to bring films from across Europe to young people. She is also active in CCAJ (Le Cinéma, cent ans de jeunesse) – what is that? See page 20! As a lecturer at the University of Timișoara, Andrea demonstrates how exciting cinema can be. Her motto is to bring films across and accessible to everyone.
Hussen Ibraheem (Germany)
Filmmaker
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Hussen Ibraheem was born in Beirut and discovered film through architecture. His short films explore themes such as family, relationships, masculinity, and the surreal aspects of everyday life. He is currently studying international film production and is participating in talent programs. He was previously a guest at LUCAS in 2023 with MANITY. To be able to attend the 48th edition, Hussen is putting work on his first feature film aside for a few days.
Christian Zetterberg (Sweden)
Filmmaker
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Christian Zetterberg is a director who creates films for children and young adults. His films often address issues related to children’s rights, relationships, and identity. He has received several awards for his work. He won the award for Best Short Film in the »Kids« competition for GAME RULES at LUCAS in 2024. He is currently developing a feature film and producing programs for SVT Barn, a Swedish children’s channel comparable to the German children’s channel KiKA.
Jury Competition »Youngsters«
Yannick Horn (17, Germany)
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Yannick lives for film. He attended the Berlinale at just nine years old– an experience that continues to influence him today. In recent years, he has made two short films of his own: SEARCHING FOR CONNECTION and ZÄHNEPUTZEN. His current favorite film is ALL WE IMAGINE AS LIGHT. Yannick is drawn to emotionally charged cinema and would love to talk to Andrea Arnold about unconventional storytelling. His favorite quote comes from TWIN PEAKS: “The owls are not what they seem.”
Timo Perndorfer (18, Austria)
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Timo delves deeply into films that challenge, move, or simply help him unwind. He is drawn to strong atmospheres and films that remain in his memory. LAWRENCE OF ARABIA is his favorite film, STRANGER THINGS was his defining experience, while AZURE & ASMAR showed him the meaning of empathy and compassion. He is also fascinated by painting—especially that of the 20th century and the contemporary period. Paintings that move him have an almost magical pull.
Veronika Heigelmayer (18, Austria)
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Whether romance, drama, or western, Veronika loves films that break away from a run-of-the-mill storyline. 500 DAYS OF SUMMER is her favorite. Why? The quote “Most days of the year are unremarkable” says it all for her. At the cinema, she wants to leave everyday life behind and be enchanted – like she was during her first 3D film, TANGLED, when the lanterns rose up into the heavens. Veronika is a Wes Anderson fan too and would love to ask him how he comes up with his ideas.
Mathias Martens Ávila (21, Belgium)
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One film a day – that’s Mathias’ goal. He studies animation and never misses a Marvel film with his friends. He even wants to direct one himself one day. Almodóvar’s ALL ABOUT MY MOTHER made a deep impression on him. Films can’t change or save people, he believes, but they can inspire and spread ideas. Besides cinema, Mathias is passionate about history, politics, and comics. He loves SOME LIKE IT HOT for one reason alone – its final line: “I’m a man… Well, nobody’s perfect.”
Selia Krasniqi (20, Belgium)
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Selia is studying animation too. She’s active in the film club and loves films that convey hope and solidarity – like DRAW FOR CHANGE!. Much like with INCEPTION, Selia enjoys immersing herself in layered stories. Good films for her are mirrors of society and windows into new cultures. She believes that films are especially important for children and young people – not just as entertainment, but as a way to raise awareness of issues that affect us all.
Lotte Dorner (18, Germany)
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Lotte views films as a social activity, preferring to do so with friends and a bowl of sweet and salty popcorn. She enjoyed watching DOUNIA, MALEFICENT 2 and WER WIR WAREN. According to her, a film must set something in motion, be thought-provoking or touch her visually. Lotte loves music. She sings in a choir, plays in two bands and practices point fighting, a type of kickboxing. During the festival week, she is looking forward to the conversations afterwards and hopes to meet the DEAR FUTURE CHILDREN film team.
ECFA-Jury 2025
The jury of the European Children’s Film Association (ECFA) consists of European experts from the children’s and youth film industry. This year, Margret Albers (Jury Competition »Kids«), together with Stefan Huber and Noy Levin (both Jury Competition »Teens«), will honor their favorite European children’s film with the ECFA Award. The award qualifies the films for the annual competition for the “Best European Children’s Film of the Year” prize, which is presented during the Berlin International Film Festival.
Anna Hofmann (Austria)
Co-Director of the Vienna International Children’s Film Festival
Learn more
Anna Hofmann, who has been involved with the Vienna International Children’s Film Festival for over 20 years, has been one of its directors since 2024. She is dedicated to not only presenting exceptional films for children and adolescents but also to promoting the medium of film in general. She accomplishes this by co-organizing “Kinderkinowelten,” a film education initiative that screens and follows up on special children’s films in Austrian schools.
Christian Zetterberg (Sweden)
Filmmaker
Learn more
Christian Zetterberg is a director who creates films for children and young adults. His films often address issues related to children’s rights, relationships, and identity. He has received several awards for his work. He won the award for Best Short Film in the »Kids« competition for GAME RULES at LUCAS in 2024. He is currently developing a feature film and producing programs for SVT Barn, a Swedish children’s channel comparable to the German children’s channel KiKA.
Andrea Reisz (Rumania)
Film educator and cultural manager
Learn more
Andrea Reisz is an expert in culture, cinema, and film education. She has spent years developing learning programs and organizing cultural projects in schools and museums. She collaborates with European initiatives, such as CinEd, to bring films from across Europe to young people. She is also active in CCAJ (Le Cinéma, cent ans de jeunesse) – what is that? See page 20! As a lecturer at the University of Timișoara, Andrea demonstrates how exciting cinema can be. Her motto is to bring films across and accessible to everyone.
Cinema Without Borders
Cinema Without Borders is an international network of film industry professionals committed to promoting diversity, inclusion, and social justice in film. Every year, Cinema Without Borders presents the Bridging the Borders Award at selected film festivals. The award recognizes films that bring people together across geographical, religious, ethnic, cultural, and economic boundaries and address issues of social justice.
Keely Badger
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Keely Badger is the founder and Chief Marketing Officer of 360 MEDIA Consulting, a digital marketing agency led by women that works with storytellers, changemakers, and brands at the forefront of social impact and innovation. Keely developed a passion for the transformative power of documentary film in building bridges between communities and raising critical awareness. Over the past 15 years, she has worked in both the public and private sectors, using social cinema as a tool to inspire audiences to take meaningful action.
Chale Nafus
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Chale Nafus was born in Dallas and attended public schools. He spent summers in the 1950s at his sister’s ranch in Comanche County and learned Spanish from his classmates and dreamed of leaving Dallas. After studying at the University of Texas at Arlington, the Universidad Autónoma de México, and UT Austin, he began a long teaching career at various colleges. After retiring in 1998, he spent four years traveling and writing before joining the Austin Film Society as program director. Now fully retired, he serves on the boards of the Austin Film Society and OUTsider Fest, as well as on the advisory committees of IndieMeme and Cine Las Americas.
Rodrigo Garcia
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Rodrigo Garcia, born in Colombia and raised in Mexico. He is a screenwriter, director, producer, and author. For over 20 years, Garcia has shaped independent cinema and has directed the Oscar-nominated film ALBERT NOBBS, as well as MOTHER AND CHILD, NINE LIVES, FOUR GOOD DAYS, and most recently FAMILIA for Netflix. His debut film THINGS YOU CAN TELL JUST BY LOOKING AT HER won the “Un Certain Regard” award at Cannes in 2000. Garcia has also enjoyed success in television, with SIX FEET UNDER, BIG LOVE, and the HBO series IN TREATMENT, for which he received a WGA Award. In 2022, he and his brother adapted his father Gabriel García Márquez’s novel One Hundred Years of Solitude for Netflix. His memoir, A Farewell to Gabo and Mercedes, was published in 2021.
Shirin Sohani
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Shirin Sohani is a director and animator born in Tehran. After completing her master’s degree in animation directing at Tehran University of Art, she launched her career in 2012 as a concept and background artist, screenwriter, and production manager. Her graduation film, THE FAN (2014), won national and international awards. In 2023, she and Hossein Molayemi received the Academy Award for Best Animated Short Film for IN THE SHADOW OF THE CYPRESS at the 97th Academy Awards.
Bijan Tehrani
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Hassan (Bijan) Tehrani is a film director, writer, and film critic. His first article was published 45 years ago in a weekly Iranian film publication. Eighteen years ago, Bijan founded Cinema Without Borders, an online publication dedicated to promoting international cinema in the U.S. and around the world. He still works as its editor-in-chief. He has also been a columnist and film critic for Iranian film magazines for 45 years. Tehrani has received several awards at international film festivals and book fairs for his short films, children’s books, and contributions to international cinema.
Abbas Yari
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Abbas Yari is an Iranian journalist and film critic born in Arak. He graduated from the School of Television and Cinema in 1975. Yari began his journalistic career at Sobh e Emrouz, Tehran Mosavvar, and Kayhan before co-founding the film magazine, which he edited until 2021. Yari is currently editor-in-chief of Cinemaye Bedoon Marz, a new Iranian online film platform. He was also involved in founding the Iranian Film Museum in Tehran and the Foundation for Film Critics and Writers on Iranian Cinema, and he organizes cultural events in Arak.
Hammad Zaidi
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Hammad Zaidi is the founder of the Lonely Seal Company Group, Lonely Seal Releasing, and the Lonely Seal International Film, Screenplay, and Music Festival. He is also a member of the Producers Guild of America and was active in the Writers Guild of America. Zaidi has produced films, developed video games, written articles, and served on juries at numerous festivals, including Sundance, SXSW, and Slamdance. Zaidi has taught at several universities, including UCLA and USC. He earned his Master of Fine Arts degree from the UCLA School of Theater, Film and Television in 1994.
Film Guests 2025
For its 48th edition, LUCAS welcomes numerous film guests on site at the four festival cinemas or in an online discussion. Film educators accompany all film screenings. In addition, a »pre-film discussion« on a competition film has once again been created as part of a »get involved!« project.
The film guests of LUCAS #48 will be announced here one by one.
Greetings 2025
Julia Fleißig
Festival Director
OFF TO THE CINEMA!
Take #48! For this year’s LUCAS program, we immersed ourselves in hundreds of stories, watched and discussed dozens of hours of film in order to bring together the strongest productions from across the globe for young audiences.
“Growing” was a central guiding theme in the film selection for LUCAS #48. Growth is a process that cannot be stopped and cannot be reversed. You cannot escape it – it simply happens. Once you’ve grown, you may no longer fit into old favorite sweaters or old patterns. In the end, you don’t even choose the situations in which you grow. More often than not, they are moments of uncertainty and vulnerability – but if all goes well, you emerge stronger.
The »Young European Cinephiles« – six young people from Bulgaria, Greece, and Germany – have engaged particularly intensively with this theme. Their curated program for LUCAS tells of the search for one’s own identity and of growing into a complex world. The three selected films show: growth is not only an individual process, but also shaped by societal, social, and political circumstances.
For film festivals like LUCAS to grow, reliable structures and dedicated support are essential. We would like to express our heartfelt thanks to all supporting institutions and to all those connected to us in friendship and partnership, for making it possible to continue presenting powerful filmmaking for young audiences. Because all the work, energy, and commitment of our team would not be enough if the financial foundations were not also in place.
Attention recording!
3 Questions for …
Timon Gremmels,
Hessian Minister for Science and Research, Art and Culture
What impulses can a film festival for young audiences give to cultural policy?
A festival like LUCAS shows very concretely what cultural policy can achieve: it encourages young people to get involved, to participate emotionally, and to take on different perspectives. By not only watching films, but also curating them, discussing them, and co-developing the festival program, they experience culture as a living space for participation, education – and, not least, democratic togetherness.
Why is it important that children and young people have access to films through festivals like LUCAS?
Films can not only entertain, but also provide an entry point into the world. LUCAS gives children and young people the tools to perceive and understand films more consciously. Those who encounter good films at an early age learn to interpret stories, make sense of emotions, and question different perspectives. In the cinema, together with others, important social and emotional experiences emerge. LUCAS offers young people guided access to film – with film talks and an educational framework. At best, this not only fosters media literacy but also supports personal development.
Which children’s or youth film has the best soundtrack, and what are you looking forward to at LUCAS #48?
Disney songs always work, of course. With my godchild, I used to enjoy watching the BIBI & TINA films, complete with their rousing soundtracks. Apart from that, I look forward to what makes LUCAS special: high-quality films, exciting discussions, and hearing how children and young people reflect on what they see on the big screen.
3 Questions for …
Mike Josef,
Lord Mayor of the City of Frankfurt am Main and Patron of LUCAS
What does a festival like LUCAS mean for Frankfurt’s cultural profile – and how does it differ from other film festivals in the city?
The LUCAS Festival is a fixed part of Frankfurt’s cultural life. The many different festivals in Frankfurt – especially in the summer – contribute to making the city a vibrant and culturally diverse place. What makes LUCAS special is its focus on children and young people. The festival breathes internationality and cultural exchange, connecting closely with the everyday lives of children and young people in our cosmopolitan city. Particularly remarkable is the wide age range that LUCAS covers – from preschoolers to teenagers, young adults, and beyond. A highlight for me is Festival Sunday, when families enjoy free entry to the cinema and the exhibitions at the DFF. It’s a wonderful opportunity for a trip to the Film Museum.
As you mentioned, LUCAS is not only aimed at a young audience but also at film enthusiasts aged 18 and over. What can adults learn from children’s and youth films?
I think everyone remembers their own childhood. As adults, we often forget to see the world through children’s eyes. Children often have an unfiltered view of the world, while at the same time questioning much of what we adults do. Children’s and youth films remind us to shift perspectives, rethink things, and listen. Especially on topics like justice, family, or climate protection, their fresh viewpoint can open up new ways of seeing. Particularly in a city like Frankfurt, where many perspectives converge, these films can help build bridges and encourage reflection on one’s own stance.
What would be your dream cameo in a film? Or which film character would you like to be for a day?
I’m a big fan of Sylvester Stallone as Rocky Balboa. When I visited Frankfurt’s partner city Philadelphia this year, I took a walk to the original filming location. With the original film music in my ears, you really do feel a little like Rocky Balboa.
3 Questions for …
Christine Kopf, Artistic Director of the DFF – Deutsches Filminstitut & Filmmuseum
Which program item are you most looking forward to at LUCAS #48?
I am particularly looking forward to the visit of Alain Bergala and Nathalie Bourgeois, who have been setting benchmarks in film education for 30 years with “Le cinéma, cent ans de jeunesse” (CCAJ). The international program combines aesthetic experiences with practical film work and engages young people worldwide in a lively dialogue with cinema. This event is a fantastic opportunity for anyone interested in pedagogy and film education to gain insight into this renowned project. Our guests are truly leading authorities in film education.
Which events would you especially recommend?
Of course, Festival Sunday for families with the guest program of the MiniFilmclub, where preschool children discover experimental short films and engage with them creatively. I would also highlight the workshop linked to the current exhibition “Long Takes. One Shots. No Cuts.” with the »Foсus.Film.Сlass«. The exhibition focuses on the art of the long take – that is, long, uninterrupted camera shots. In line with this, a school class works in workshops on the film 1917 (US/GB 2019, dir. Sam Mendes) and presents the film and their results during the festival week – an exciting event for classes from grade 10 onwards.
Was there a film in your youth that sparked something in you – perhaps even the desire to work in film professionally?
As a student, I volunteered rather accidentally at a collectively run cinema. At the time, I didn’t know it yet, but my love for that place profoundly shaped my later career path, even though I had originally wanted to become a journalist.