Short Film Program for »Minis«

Short Film Program for »Minis«

Once again this year, child­ren from the Grüne Soße day care cent­re have put tog­e­ther their own pro­gram. They sel­ec­ted films from the Cinemini Europe film cata­lo­gue, a European film edu­ca­ti­on pro­ject for child­ren aged three to six.

The Cinemini cata­lo­gue con­ta­ins many dif­fe­rent films: expe­ri­men­tal, old, and ani­ma­ted. They weren’t made spe­ci­fi­cal­ly for child­ren, but were sel­ec­ted spe­ci­fi­cal­ly for them. In a work­shop, the young par­ti­ci­pan­ts deci­de for them­sel­ves which films they want to share with the audi­ence, what title to give the pro­gram, and which accom­pany­ing acti­ve ses­si­ons should take place in the cinema. 

During the fes­ti­val week, film edu­ca­tor Paula Engelhardt will host the finis­hed »Minis« pro­gram. Representing the group, she brings the child­ren’s ide­as to the screen. The audi­ence can look for­ward to a film pro­gram with fun, playful acti­vi­ties. Perhaps the­re will be pain­ting or dancing bet­ween the films, or a lar­ge web of thread spun bet­ween the cine­ma seats— what hap­pens exact­ly is up to the children!

During the pro­gram, it is the­r­e­fo­re expli­cit­ly per­mit­ted to laugh, talk, and move around the room. Where can you find such a thing, some of you may ask. Right here! Everyone—children, par­ents, grandparents—is cor­di­al­ly invi­ted to mar­vel, have fun, and be sur­pri­sed by the film selection.

In coope­ra­ti­on with Cinemini Europe:

Logo: Cinemini Europe

Cinema Tickets for Individuals
SUN, Sept. 27 | 12 p.m. | DFF Cinema (ful­ly booked)
WED, Sept. 30 | 11 a.m. | DFF Cinema 

»LUCAS for Families« on Sept. 27:
Families recei­ve free admis­si­on. Due to high demand, we recom­mend reser­ving cine­ma tickets in advan­ce. To do so, click on the scree­ning time above.

Grüne Soße Special: Five Handmade Films

DE/EE/GB/RU/TW 1935–2017. D: div. Without Dialogue. Suitable from age 0. Recommended from age 3.

A COLOUR BOX

GB 1935. D: Len Lye. 3 Min.
Images beco­me notes, sequen­ces beco­me melo­dies, colors beco­me moods, the move­ment of a gra­phic ele­ment beco­mes a chan­ge in pitch, and the film beco­mes visu­al music.

MOIA MAMA – SAMOLET

RU 2013. D: Yulia Aronova. 7 Min.
Different peo­p­le have dif­fe­rent moms, and they’­re all cool in their own way. But having a mom who’s an air­plane is pret­ty much unbeatable.

BIMO XINGLÜ

TW 2017. D: Annlin Chao. 4 Min.
A small pie­ce of food in a bir­d’s beak trans­forms into a per­son who tra­vels through the land­scapes depic­ted in four signi­fi­cant pain­tings from the histo­ry of Chinese art.

VIRTUOS VIRTUELL

DE 2013. D: Thomas Stellmach, Maja Oschmann. 8 Min.
An expe­ri­men­tal ani­ma­ted film that does not tell a sto­ry in the tra­di­tio­nal sen­se, but rather depicts the move­ment of black ink on a white back­ground, which seems to echo the dra­ma­tic arc of the over­tu­re we hear on the soundtrack.

TRAMMIVASIKAS

EE 1983. D: Kaarel Kurismaa. 10 Min.
When an old street­car sud­den­ly veers off the tracks and cha­ses after a dog—which is, in turn, cha­sing a cat—everything is thrown off balan­ce: Traffic in the buil­ding-block world des­cends into cha­os, appoint­ments are missed, and acci­dents are nar­row­ly aver­ted. Someone has to res­to­re order!